IndieWire invited the production VFX supervisors from the five Oscar-nominated films to choose and analyze a pivotal scene that best showcases their craft: Paul Lambert (“Dune: Part Two”), Wētā FX’s ...

Before Dorothy skips her way down the Yellow Brick Road to Emerald City in Wicked: For Good, the animals of Oz under attack by the Wizard uproot a chunk of the colorful path, digging an entrance to a ...

The special effects team behind “Godzilla Minus One‘s” jaw-dropping final battle wanted the spectacle to be a “religious” experience. The climax of that vitally important sequence in the ...

Jordan Peele’s “Nope,” which recently crossed the $100 million threshold at the domestic box office, is the “Get Out” filmmaker’s self-described “great American UFO story.” “Nope” is just as ...

In subreddits and X threads, commenters seem to be railing more and more against terrible visual effects and wondering why modern films and TV shows look so bad. But is that actually true? Let’s flip ...